THE KILLING MAN (1994) Jeff Wincott

One of my favourite DTV rentals (and one of my first DVD purchases) was this classic Canuxploitation flick, THE KILLING MAN (a.k.a, KILLING MACHINE in the UK) staring Jeff (the ref) Wincott and 'Rent-A-Bastard' Michael Ironside.



Heavily bandaged amnesiac (Wincott) wakes up in a hospital bed (but clearly NOT a hospital ward) with nothing but flashbacks from a fiery explosion. Doctors enter his darkened room to remove his bandages and reveal that he's had extensive plastic surgery, resulting in a new face.

(with 'Special-Guest-Star' - Bruce Jenner)

Yet everyone remains tight lipped about who he is, why he's here, and why he's force fed violent images on a TV screen. On the plus side, he has a buxom blonde nurse strip off and indulge in (softcore, 90's style, saxophone accompanied) sex with him (Shame on you for not mentioning that in SICKO, Michael Moore!)

("I've got some good news, and bad news")

Enter Dr Green (Ironside) head of a sinister government agency. Green fills in the missing gaps, by explaining to the amnesiac that his real name is Harlin Garrett, that the flashbacks are memories of his former profession (top hitman for the mob) and in payment for his new face and identity, Green would like to recruit him for future work for the "Safety of state security"

("Sign the 'Don't-Throw-A-Knife-In-My-heart' clause of your contract, Jeff?")

But first Green must re-awaken Garrets killer instincts.....First with a fight with the employed guards (led by Greens henchman, Turner) and secondly a low-life Rastafarian criminal (who has just shot an elderly Korean couple eight times each in the face for $73) who Green tosses into Garrets room like a piece of meat.

("Take that, you ruffian!")

Garrett proves his worth to Green (after killing the criminal in self defence) and is set free, with his new given identity of 'Danny Grange'. However Green Assures Garrett that he is watching his every move, and can have him killed at any time, should he try to run?

(That damn 'Stephen Baldwin' gets everywhere?)

Racked with guilt over his past (and 'non-plussed' at his future) Garrett walks the streets, sullen, angry and replete with self loathing voice overs. He contemplates suicide at one point, but decides (like George Michael and Andrew Ridgley, before him) to 'Choose Life' (fuck 'Trainspotting'...i hate that overrrated turd of a movie...WHAM rock!)

("Made it ma.......Top of the video charts!")

A chance meeting in a strip bar, reunites Garrett with a former lover (and hinted 'ex-lover') Jane (who doesn't recognise Garrett at first, until he beats the shit out of a Narc for Dr Green, and a gang of drunks) Jane explains that it's no longer safe to be associated with garrett and begs him to leave her alone, for both of their sakes.

(Jeff reminded Jane that the 'Linda Hamilton' look, was sooooo... 1984)

Strolling through a fog filled alleyway, Garrett stops (i.e, 'kicks the living shit out of') two hoods giving a hobo the 'Rodney King Workout' (one of them threatens Garret with "I'm gonna cut your nuts off, motherfucker") Garrett leaves them 'Fubar' were he found them (and with nuts intact) he turns slowly, to notice the hobo extracting brutal retribution on his two (now unconscious) assailants, such is the circle of violence, that our troubled hero knows only too well.

(Jeff went off his trolley)

For his first kill, Green demmands that Garrett kill Jane, as she knows about his new face and identity. Garret agrees, but instead tells Jane to leave town, rather than kill her. He lies to Green (who knows bullshit when he smells it) and upon returning to his apartment, Garret is given a travel case, with Jane's severed head inside (obviously a 'one-take-shot', as the actress clearly twitches her face) There really is no escape from Dr Green and his shadowy agency (hell, even David Bradley would be getting the 'Hershey-Squirts' about now)

(Do not ask for 'head, as refusal often offends)

Garretts next 'Mark' is a gay rights activist, Tom Baker (No...not the fourth Doctor Who) and our hero poses as his limousine driver, and later a potential love interest, to lure the poor sap to his death. After murdering him (off screen) a news report later announces that "Baker was a victim of a bloody sado-masochistic scene that went too far" (so no Columbo's were harmed during that murder investigation, i guess?)

("Just one puff" .... "Fag in mouth" .... Oooh-eerrr!)

Green informs Garrett that his next target is (nosey) 'investigative reporter' David Conner, who is seen discussing his latest 'scoop' with a female scientist, Dr Ann Kendall (more about her, later) Later that night, garrett attempts to kill Conner, but is saved the job, when the reporters (can't-shoot-for-shit) wife attempts to defend her husband (although once again, Columbo would sniff straight through a bullshit 'accidental-shooting-of-husband-plea' before the first ad-break, methinks?)

(Silly bitch, at least look were you're shooting?)

Next on Greens hit-list is the formentioned Ann Kendall, who works at a research centre for AIDS (mmmmm......gay activist......nosey reporter.....AIDS reserch...how refreshingly 90's) Garret decides to befriend the shy, workaholic Dr Kendall, by first pickpocketing her wallet, and then returning it, and also saving her from the over amorous advances of her co-worker (and chief of security) the (under-sexed, over curious) Steve Rodgers (who had previously wooed her with "Working with a homosexual disease all day, can't be good for you?")

("It's not quite miseltoe, but it'll do?")

A few more chance encounters between Garrett and Anne, winds up in (another) softcore sex scene, but it seems that Garrett is not just another 'splash and dash' merchant, he's falling for the dame, thus developing a conscience about killing her. So instead, he opts to break into her laboratory to steal her tests results and reports (which worryingly hint at the prospect of AIDS being a engineered disease...tut, tut, tut, naughty government!)

(Dr Anne Kendall, AIDS researcher ... sleeps with strangers on the second date)

However, with his ego (and ass) bruised, nosey chief of security, Steve rodgers has been doing some snooping on Garretts mysterious past, and is waiting to confront him with his findings. Garrett is even more shocked to find Anne waiting at her lab (and even worse, Dr Green and his henchmen are closing in on the whole shebang!)

("Give me your clothes, boots and hair")

After killing Rodgers (in self defence) Garrett explains to an hysterical Anne that he never intended to kill her, but that they both should skip town (or 'Toronto-Pronto' ho-ho!) Too late...the evil Dr Green and his goons turn up, shoot the shit out of every thing (including Anne) so it's up to garrett to get her to a hospital, whilst indulging in several bouts of 'Heroic Bloodshed' (Canadian style...don't worry Mr Woo) and culminating in a bone-breaking show down with #1 henchman, Turner (replete wth slo-mo punch fu)

(Jeff found a great way to pick up women)

Just as he thinks he's got himself (and a badly injured Anne) out of the building, Green pulls a gun on the love-struck couple. Garrett has a trick (plus a knife) up his sleeve for Dr Green (bye, bye, you nasty Canadian Homophobe!) And we the humble viewer are treat to a 'knifes-eye' shot as the blade heads towards the governmental rotter!

("You promised me in picture five, Jeff")

The police arrive, Anne is carted off to hospital. Garett however, is arrested and taken away in a police car (ready to atone for his previous sins) Sorry folks, no happy endings here (try Beneath The Planet Of The Apes if you want laughs)

(The poignant ending)

THE KILLING MAN is not a out-and-out 'action' flick as such. Wincott kicks a lot of asses (lays a fare bit of pipe, as well) but this movie has a much darker tone than his other flicks. The AIDS storyline, the downbeat scenario, the killing of innocents, and a murderer for a hero, set it apart from routine biff em' ups of the nineties. And i think it's a neat little STV action-thriller. Producer Damian Lee always seemed to be involved in the 'darker' Wincott movies. And this is indeed one of them.


Wincott (as usual) puts in a great performance, handling both and the action and drama with equal aplomb. Ironside is his usual smugly sinister self, and lends a bit of added weight to what is presumably a low-budget (tax-shelter) Canadian production. The rest of the cast are decent enough. The production/camera work are workmanlike and professional enough (the picture quality on my SIMITAR DVD is pretty ropey though!)

CYBER TRACKER (1994) Don 'The Dragon' Wilson

PM ENTERTAINMENT (Richard Pepin & Joseph Merhi) are responsible for some of the best low-budget movies out there. These guys are savvy enough, to know that it's not always about De nIro-like performances, coupled with Mamet-esque dialogue. PM give you non-stop, rough and ready action, and in 1994 at their height of power, they knocked out a b-movie classic, with more than a passing nod to The Terminator and Robocop (and Pepin directed it also)

(Don 'The Dragon' Wilson in action)

Don 'The Dragon' Wilson stars as Eric Phillips(1) a secret service agent(2) protecting Senator Dilly, who's attempting to pass a law, allowing unstoppable(3) Cyborg policemen to assume responsibility from the regular human variety. A anti-Cyborg fraction, The UHR (United Human Rights) attempt to stop this law (and resorting to terrorism to do such) which makes Phillips job more dangerous with every new attack. Dilly's second in command, Ross, doesn't like Phillips, and the two trade insults, and 'thousand yard stares' aplenty, until Phillips turns against his employers, after they cold-bloodedly murder a UHR member. Framed for the murder, Phillips finds himself on the run from the merciless Cyber-tracker policemen, who'll let nothing or no-one stand in their way.

CYBER TRACKER has similar elements to CYBORG COP, but seems a little less goofy. As usual PM start proceedings with a car chase/explosion, and continue throughout, til the 90 minute mark) Wheras CYBORG COP, did contain a few more lulls (but is genuienelly funnier and lighthearted, throughout)
Don 'The Dragon' Wilson(4) (never understood why his 'nickname' made it on the actual credit roll?) gives one of his better performances here (in what was his 13th film, in a 5 year period) and despite the 'hokey' dialogue, and hand-me-down plot, he (and the rest of the cast) keep a straight face, and deliver a solid action flick. Oh, did i mention that Richard Norton plays second in command, Ross (and let's face it, Richard Norton is much better value for money, than the terminaly boring and highly overrated Edward Norton, any day) so you just know he and Wilson are gonna 'trade punches' before this movies finished (to be fair, with a good guy/bad guy combo like this, the cyborgs come a pale third, in the packing order of excitement)

Anyhow, enough of the niceties, let's get to the 'ropey' elements (the sort that make you spit your cheap cider out, upon initial viewing) CYBER TRACKER may aspire to be Terminator-esque. But doesn't have the budget...resulting in some rather tacky FX, and garbled logic (befitting of a STV release)

The Cyborgs

These 'Trackers' are 'Right-Said Fred' lookalikes, who have morphing qualities that defy logic (let alone, rational sense). For instance, they can produce a (badly morphed CGI) 'police badge' from the palm of their hand, before arresting someone...But (and this is the real pisser) they can produce a side-arm from their legs. Sounds cool doesn't it? (so far, so Robocop) but whereas Peter Weller had a nifty opening and shutting leg compartment to administor his weapon, the Trackers have to tear away a strip of their black 501's to produce a gun which morphs out of the leg itself. A good job these Cyborgs are indistructable, otherwise they'd catch a cold, with all these torn trousers and exposed thighs?

(WTF! part I)

(WTF! part II)

As for the Cyborg FX, whenever things threaten to get technical (and animatronic, hence: expensive) the Cyborgs have a self healing 'green-ready-brek' glow that emits from there hands, that flattens out any busted circuits (reducing them to 'stuck on, tin-foil attachments)


You won't need to be Russell Grant(5) to figure that somewhere in this movies plot, Wilson is a hard-drinking divorcee. But this movie has one original idea up it's sleeve, in that Wilson has an A.I computer system (named AGNES) in his appartment (replete with asinine 'shelly Long-style accent) Don likes nothing more than after a hard days 'killing terrorists', to kick up his feet, open some booze, and indulge in the sadomasocistic self-recrimination of watching (and re-watching) the fateful day his wife left him (on CCTV) and even getting 'AGNES' drunk(?)

And it's during the 'drunk' computer scene, that CYBER TRACKER has one unique scene (admist the car flips and explosions) that's quite touching (yep, I said it!) Phillips causes AGNES to be drunk by keying in a 50% 'perception loss' (when he promised only a 5% loss) to her memory bank.

(A genuinelly 'Touching Scene' from Cyber Tracker)

Agnes "Eric, i said five percent, this is too much (slurs) What was i going to say?"
Phillips "You love me"
Agnes (in completely gargled computer-speak) "I loovee youu Erricc"

Phillips smiles, but averts his attention from his artifical computer-love, long enough to notice a picture of his ex-wife. His smile turns sour in his realisation.

It truly is a great scene, lost in a sea of Car-flipping, and morphing cyborgs.

Oh yes, and whilst the cliché-meter is running, let's not forget that, whilst on the run, phillips joins up with the UHR (who turn out to be ok, if a little inexperienced) but of course, the leader is a statuesque blonde, who takes a shining to 'The Dragon' (as per usual)

(DON Juan)

Anyhow, to cut a long story short......THE END (only joking!) But the Trackers (despite being billed as indestructable', are anything but) three of the buggers are sent out to kill Phillips (can you guess who wins in the end?) and thankfuly the fight between Phillips and Ross is pretty good showcase of why you hire Norton for an action flick (take note ROADHOUSE 2, i'm talking to you!!)

('Housewifes favourite' Richard Norton)

All in all, CYBER TRACKER does what it says on the tin (or be it, 'tin-foil' with this budget) It's no TERMINATOR, but miles better than the morose po-faced TERMINATOR SALVATION (a movie with a catering budget, bigger than the combined budgets and revenues of Don 'The Dragon' Wilsons entire career)
And to quote Admiral Bates: "You'd think we'd learn something from that?"


Movie Highlights

04:09 (The Tracker, comes across a huge oversized model of a robot, in a nightclub he's just shot the shit out of. Upon scanning the model, with his Terminator-style on screen graphics, his memory banks try to identify the model and comes up with names of former 'screen' robots, like 'GORT' or 'T1000'' and 'THX1138' in it's fruitless search)

04:50 (A car explodes)

12:23 (A helicopter explodes)

13:30 (A van flips in mid air....................before exploding)

16:55 (Ross - "Phillips is nothing more than an impulsive, hot-headed ametuer")

18:32 (Phillips gets his home computer drunk)

22.37 (Awesome sleep device, that would also be beneficial to rapists)

25:55 (Don kicks mucho ass)

28:56 (And then proceeds to kick some more)

30:45 (A police car explodes)

31:41 (Send in a 'Tracker')

32:47 (Don stops everything, for a hot-dog)

36:52 (A fire engine explodes, in a rare automotive case of "Physician Heal Thyself")

45:20 (Send in another 'Tracker')

60:03 (Send in 'Richard Norton')

69:34 (Richard Norton captures Don 'The Dragon Wilson', in a record 9:30 mins)

72:56 (Phillips removes his shirt)

74:24 (Ross Vs Phillips)

78:15 (Another 'Tracker')

80:42 (A cyber-Tracker AND a car....explode)

(A car flips, in a rare-one off scene from Cyber Tracker)

(1 = not an overtly 'tough-guy' name like Frank Shatter for example?)

(2 = But, in true Weng-Weng style, announces his confidential status, to all and sundry)

(3 = Anything but)

(4 = Who is not John Cho from the 'Harold & Kumar' movies, either)

(5 = Rotund, Camp TV asstrologer, readily available when Christopher Biggins is 'elsewhere')