Showing posts with label STV. Show all posts
Showing posts with label STV. Show all posts

Wednesday, January 26, 2011

Sunday, January 16, 2011

THE KILLING MAN (1994) Jeff Wincott


One of my favourite DTV rentals (and one of my first DVD purchases) was this classic Canuxploitation flick, THE KILLING MAN (a.k.a, KILLING MACHINE in the UK) staring Jeff (the ref) Wincott and 'Rent-A-Bastard' Michael Ironside.



Heavily bandaged amnesiac (Wincott) wakes up in a hospital bed (but clearly NOT a hospital ward) with nothing but flashbacks from a fiery explosion. Doctors enter his darkened room to remove his bandages and reveal that he's had extensive plastic surgery, resulting in a new face.

(with 'Special-Guest-Star' - Bruce Jenner)

Yet everyone remains tight lipped about who he is, why he's here, and why he's force fed violent images on a TV screen. On the plus side, he has a buxom blonde nurse strip off and indulge in (softcore, 90's style, saxophone accompanied) sex with him (Shame on you for not mentioning that in SICKO, Michael Moore!)

("I've got some good news, and bad news")

Enter Dr Green (Ironside) head of a sinister government agency. Green fills in the missing gaps, by explaining to the amnesiac that his real name is Harlin Garrett, that the flashbacks are memories of his former profession (top hitman for the mob) and in payment for his new face and identity, Green would like to recruit him for future work for the "Safety of state security"

("Sign the 'Don't-Throw-A-Knife-In-My-heart' clause of your contract, Jeff?")

But first Green must re-awaken Garrets killer instincts.....First with a fight with the employed guards (led by Greens henchman, Turner) and secondly a low-life Rastafarian criminal (who has just shot an elderly Korean couple eight times each in the face for $73) who Green tosses into Garrets room like a piece of meat.

("Take that, you ruffian!")

Garrett proves his worth to Green (after killing the criminal in self defence) and is set free, with his new given identity of 'Danny Grange'. However Green Assures Garrett that he is watching his every move, and can have him killed at any time, should he try to run?

(That damn 'Stephen Baldwin' gets everywhere?)

Racked with guilt over his past (and 'non-plussed' at his future) Garrett walks the streets, sullen, angry and replete with self loathing voice overs. He contemplates suicide at one point, but decides (like George Michael and Andrew Ridgley, before him) to 'Choose Life' (fuck 'Trainspotting'...i hate that overrrated turd of a movie...WHAM rock!)

("Made it ma.......Top of the video charts!")

A chance meeting in a strip bar, reunites Garrett with a former lover (and hinted 'ex-lover') Jane (who doesn't recognise Garrett at first, until he beats the shit out of a Narc for Dr Green, and a gang of drunks) Jane explains that it's no longer safe to be associated with garrett and begs him to leave her alone, for both of their sakes.

(Jeff reminded Jane that the 'Linda Hamilton' look, was sooooo... 1984)

Strolling through a fog filled alleyway, Garrett stops (i.e, 'kicks the living shit out of') two hoods giving a hobo the 'Rodney King Workout' (one of them threatens Garret with "I'm gonna cut your nuts off, motherfucker") Garrett leaves them 'Fubar' were he found them (and with nuts intact) he turns slowly, to notice the hobo extracting brutal retribution on his two (now unconscious) assailants, such is the circle of violence, that our troubled hero knows only too well.

(Jeff went off his trolley)

For his first kill, Green demmands that Garrett kill Jane, as she knows about his new face and identity. Garret agrees, but instead tells Jane to leave town, rather than kill her. He lies to Green (who knows bullshit when he smells it) and upon returning to his apartment, Garret is given a travel case, with Jane's severed head inside (obviously a 'one-take-shot', as the actress clearly twitches her face) There really is no escape from Dr Green and his shadowy agency (hell, even David Bradley would be getting the 'Hershey-Squirts' about now)

(Do not ask for 'head, as refusal often offends)

Garretts next 'Mark' is a gay rights activist, Tom Baker (No...not the fourth Doctor Who) and our hero poses as his limousine driver, and later a potential love interest, to lure the poor sap to his death. After murdering him (off screen) a news report later announces that "Baker was a victim of a bloody sado-masochistic scene that went too far" (so no Columbo's were harmed during that murder investigation, i guess?)

("Just one puff" .... "Fag in mouth" .... Oooh-eerrr!)

Green informs Garrett that his next target is (nosey) 'investigative reporter' David Conner, who is seen discussing his latest 'scoop' with a female scientist, Dr Ann Kendall (more about her, later) Later that night, garrett attempts to kill Conner, but is saved the job, when the reporters (can't-shoot-for-shit) wife attempts to defend her husband (although once again, Columbo would sniff straight through a bullshit 'accidental-shooting-of-husband-plea' before the first ad-break, methinks?)

(Silly bitch, at least look were you're shooting?)

Next on Greens hit-list is the formentioned Ann Kendall, who works at a research centre for AIDS (mmmmm......gay activist......nosey reporter.....AIDS reserch...how refreshingly 90's) Garret decides to befriend the shy, workaholic Dr Kendall, by first pickpocketing her wallet, and then returning it, and also saving her from the over amorous advances of her co-worker (and chief of security) the (under-sexed, over curious) Steve Rodgers (who had previously wooed her with "Working with a homosexual disease all day, can't be good for you?")

("It's not quite miseltoe, but it'll do?")

A few more chance encounters between Garrett and Anne, winds up in (another) softcore sex scene, but it seems that Garrett is not just another 'splash and dash' merchant, he's falling for the dame, thus developing a conscience about killing her. So instead, he opts to break into her laboratory to steal her tests results and reports (which worryingly hint at the prospect of AIDS being a engineered disease...tut, tut, tut, naughty government!)

(Dr Anne Kendall, AIDS researcher ... sleeps with strangers on the second date)

However, with his ego (and ass) bruised, nosey chief of security, Steve rodgers has been doing some snooping on Garretts mysterious past, and is waiting to confront him with his findings. Garrett is even more shocked to find Anne waiting at her lab (and even worse, Dr Green and his henchmen are closing in on the whole shebang!)

("Give me your clothes, boots and hair")

After killing Rodgers (in self defence) Garrett explains to an hysterical Anne that he never intended to kill her, but that they both should skip town (or 'Toronto-Pronto' ho-ho!) Too late...the evil Dr Green and his goons turn up, shoot the shit out of every thing (including Anne) so it's up to garrett to get her to a hospital, whilst indulging in several bouts of 'Heroic Bloodshed' (Canadian style...don't worry Mr Woo) and culminating in a bone-breaking show down with #1 henchman, Turner (replete wth slo-mo punch fu)

(Jeff found a great way to pick up women)

Just as he thinks he's got himself (and a badly injured Anne) out of the building, Green pulls a gun on the love-struck couple. Garrett has a trick (plus a knife) up his sleeve for Dr Green (bye, bye, you nasty Canadian Homophobe!) And we the humble viewer are treat to a 'knifes-eye' shot as the blade heads towards the governmental rotter!

("You promised me in picture five, Jeff")

The police arrive, Anne is carted off to hospital. Garett however, is arrested and taken away in a police car (ready to atone for his previous sins) Sorry folks, no happy endings here (try Beneath The Planet Of The Apes if you want laughs)

(The poignant ending)

THE KILLING MAN is not a out-and-out 'action' flick as such. Wincott kicks a lot of asses (lays a fare bit of pipe, as well) but this movie has a much darker tone than his other flicks. The AIDS storyline, the downbeat scenario, the killing of innocents, and a murderer for a hero, set it apart from routine biff em' ups of the nineties. And i think it's a neat little STV action-thriller. Producer Damian Lee always seemed to be involved in the 'darker' Wincott movies. And this is indeed one of them.


Wincott (as usual) puts in a great performance, handling both and the action and drama with equal aplomb. Ironside is his usual smugly sinister self, and lends a bit of added weight to what is presumably a low-budget (tax-shelter) Canadian production. The rest of the cast are decent enough. The production/camera work are workmanlike and professional enough (the picture quality on my SIMITAR DVD is pretty ropey though!)

Friday, January 7, 2011

DEATH GAME (2001) Joe Lara


Sat up in the clouds (at DVD Heaven) I was trying to think of a good review (until i woke up and remembered I'm a lousy reviewer anyhow) So i thought I'd delve through my (extensive) back-catalogue of (rightfully) obscure DVD releases. And after much musing, i came across this bizarre hybrid of various genres, which i like to call 'HE GOT DEATH WISH GAME' more commonly known as DEATH GAME.

(Slightly different name......Same shit!)

DEATH GAME is credited as being a 2001 production (though it looks like it was made circa 1987) Only a few (lame) hip-hop beats, and 'Michael Jordan' posters prove otherwise. It's also part of a new (new) CANNON MOVIES spin off, known as NEW CANNON INC (which makes it sound more like a computer printer, than a studio on a comeback) Plus it's a 'Menahem Golan joint' (so depending on your tastes, you can stop reading now....or at least take pleasure from my many spelling mistakes, throughout this review)

The pic opens up with a basketball game (at a high school) between 'The Tigers' and 'The Supremes'. The cheesy synth/rock soundtrack also highlight the catchy self-titled 'Ditty' which plays over this (rather) un-energetic game. The Tigers star player Jackie Stewart is heading for the NBA, and his coach, Mickey Haiden (Joe Lara) is determined to keep his star pupil on the straight and narrow. However, when two Russian hoods enter the game at half time and try to lure Jackie with a sports car (a $7,000 Hyundai Sonata) and a bag of 'Devils Dandruff, the Coach finds the drugs in the locker-room, he goes ape-shit and will risk (seemingly) everything, to help his star pupil.

(Sadly Bokeem Woodbine was unavailable....and worse still, Joe Lara WAS!)

After a coked-up Jackie under performs in the second half, Haiden confronts the two hoods, you laugh at him. And he also follows Jackie home...and gets (rather uncomfortably) friendly with Jackie's mother (who keeps asking the Coach to call her mother, and declares "My house is your house")

(Jackie's Mom talls the neighbours that "No-one steals from the 'House Of Dolemite')

Actually, the movie is littered with misplaced parental responsibilities like this. Jackie's mom seems more maternal towards the coach, than her own son...and the coach (literally) sacrifices his families safety, over Jackie's career. I'd like to think there was pre-written undercurrent of 'dynamic repression' built into the plot...but it's probably just bad writing (and believe me, the movie is littered with such)

(Coach Haiden, with his overlooked family, and unlikely mother)

Coach follows Jackie to a nightclub (called 'The Reactor') and sees his star player, getting all friendly with the Russian Goons (plus a few ditzy sluts) and asks Jackieto leave, but is bluntly told to "Fuck Off!" Haiden confronts the two hoods, and covers them in the leftover 'cocaine'...which promptly leads to them kicking the shit out of him (Lara's no big action star in this one folks, so get used to it)

("Who ordered coke?")

Jackie, the hoods and whores all head to a (not-so) luxurious mansion, in which the would-be Michael Jordan, indulges in some 'water sports' in the Jacuzzi with the two bimbos. Meanwhile, the two hoods report to their boss, the sinister Mr Big, who wants to lure Jackie over to the darkside. With a house/henchmen/sluts of this calibre at his disposal, you'd expect the bad guy to be some suave, handsome, musclebound villain...............well, instead of that, we get Billy-Fucking-Drago (probably the reason i bought this dvd in the first place) playing crimelord, extraordinaire, Shakes Montrose (great name BTW) replete with crazy hand gestures, Sam Seed wig, and monologues that would make Anders Hove wince.

(One for the ladies)

Montrose doesn't want the Coach meddling in his business, and sends his goons round to give the 'Haiden Family' a scare. Haiden (still beat up from the nightclub fiasco) is at hospital with his wife, leaving his young son, home alone (with Guard dog Bubbles, as protection) The hoods taunt the boy and kill his dog. When Coach returns home, he finds his traumatised son in the bath-tub, holding a (obviously, fake) dead dog (which resembles a white fur coat) covered in ketchup. With a warning smeared in blood across the walls that states:

"A 3 POINT GAME"
"#1 DOG"
"#2 ?"



The police arrive at the Haiden household, and an old friend, sympathetic police Chief Canton (the legend that is Richard Lynch) assures Haiden that he'll receive police protection 24/7 until the culprits are found. However (and let's face it, you didn't expect Richard Lynch to be a fucking choir-boy now, did you?) it turns out that the Chief is on the 'payroll' of the (ever-so-good-looking) Montrose.

(And another for the ladies)

Meanwhile Jackie convinces Montrose to make peace with the coach. And they all go out for a meal (witness Jackies mom look aghast at the prospect of $1000 food, which looks like plain old soup to you and I!) When Montrose pulls Haiden to one side, to cut a shifty deal over Jackie's future...the coach refuses. Montrose (slightly pissed off) later sends his goons round Haidens home (which isn't particularly well police protected) to make good on their earlier blood-smeared threat. Once inside, they procede to rape the shit out of the Coaches wife (in a genuinely uncomfortable scene, that sits uneasy with the surrounding cheese) But i suppose CANNON would never shy away from the odd rape scene in their movies, so I guess we're stuck with it (or maybe they should have retitled it 'FORCED-LOVE AND BASKETBALL'...ho-ho!)

(Oh the 'symmetry' of those fortress gates)

With his wife raped, hospitalised and in a coma, and his young son (further) traumatised.....The coach seems (oddly) still concerned about the whereabouts of Jackie, and heads over to Montroses (ahem) mini-mansion...not so much to have it out, but to rescue his star player (and hopefully win the finals?) Chief Canton is already at Montose's laying down what little law is left in him, which leads to the following (classic) threat/riddle/limerick/tongue-twister:

"You know that I know you know"
"And I know, you know I know"

(Billy realised exactly were this motion picture would be heading)

Baffling Dialogue aside, the chiefs campfire is well and truly pissed on, when montrose shows a Video-Cassette of the many 'pay-off's' Canton has taken. Montrose decides to hold a (quote) "hunting party" with the police chief (possible 'karma' for OPEN SEASON, 1974?) and thankfully (and at long last) a shitstorm of action, bullets and crashing wobbly gates enliven the tedium (and most likely, ugobbles up the movies entire $4, 000 budget in one badly-filmed swoop) During the Gunplay, Coach Haiden turns up and starts bringing the 'ruckus to all the motherfuckaz' but is too late to save Canton, who is shot by montrose in a (4ft high, yet made to look much deeper) backyard canyon. The police soon arrive (as usual) 1 minute after the carnage ends. Montrose claims that Coach shot Canton, and the police totally buy it. Basic forensics (and the most retarded common sense) would say otherwise, but none-the-less the Coach is detained (and still seems more upset about missing the play-offs) than his wife, child and predicament.

("I love you to death....I love you to death...I love you to death...Oooh Baby!")

However, one cop Detective Stone (a 'Village Person', if I've ever seen one) sees through the bullshit, and lets Haiden free (partly because there's no genuine fucking evidence, and also because he wants to see the 'Tigers' win the final) So after a brief visit to see his dying wife (who is completely awake, dressed and recovered, after being in a coma for a day) the coach heads to the basketball hall.....to guide his team to the top, and Jackie to the NBA (and trust me, it seems the ONLY real priority in his life)

(A post rape/coma Mrs Haiden, clearly affected by such atrocities)

The game starts off, and the Tigers aren't doing so well. Jackie doesn't seem focused (no shit, he's been loosely involved in and around 7-10 murders in the last 24 hours) and things don't get any better, when Montrose and his two goons turn up at the game, and try to dish out the cocaine again. Coach catches Jackie with the powder, but confesses that he'd never touch the 'stuff again.....and (a quick pep talk later) Jackie goes out for the second half feeling better. The coach (who waits in the locker-room mmmm?) is suddenly attacked by the two Russian hoods (one of whom, he shoots dead) The second goon is about to blab all to the Coach, but is shot by non other than Montrose (who fires off another long-winded speech)

(Accion Mutante always targetted the 'Beautiful ones')

The police arrive (on fucking time for a change) and arrest Montrose, and despite having just murdered someone in cold blood, Detective Stone (who quite clearly has a 'thing' for Coach) allows the coach to carry on the second half of the game. Needless to say, Jackie improves, the Tigers win (and hell, even Haidens traumatised son calls Jackie's mom "Grandma")

(Fuck yeah!)

DEATH GAME is (on the surface) a flat out bad movie. Basketballs clearly change colour, during dunks, the games are lethargic, badly coreographed snooze-fests, and the lady playing Jackie's mom is the worst actress since Lady Reed. It doesn't contain a great deal of action, which wouldn't be too bad, except that no-one wants to see Joe Lara play 'Hamlet' (i know i fucking don't!) Were it not for the star quality of Billy Drago and Richard Lynch, this movie would not have bee made. Yet for it's many faults, it's still a goofy movie (minus THAT nasty rape sequence) that will appeal to bad movie lovers, everywhee. Not much of a glowing recommendation...but it's cheesy, contains just enough sleazy exploitation and (like the 'cheep cider' I guzzle)...it eventually gets you there!

(Just one more, for the horny ladies out there)